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Contemporary Art Lm A 2022/2023
The course is divided in two parts: a general introduction on contemporary art and a focus on Rome. The first part of the course provides an overview of the western art scene from post war experiences until present days, with particular attention on key terms and issues that shape the notion of contemporary visual languages.
A monographic course on Rome between the two wars will be conducted through on site visits, and appointments for on-site classes will be communicated ahead. Please note that there might be tickets to be purchased for the on five scheduled site classes.
As part of the course students will be invited to produce a paper on an artist active in Rome between 1920-1970, to be handed in before the exam session.
Course: issues and urgencies in Contemporary Art from 1945 until today
11 October Introduction
Readings on Teams
25 October Postwar experiences: representing the unrepresentable
Hopkins 5 – 67; Readings on Teams
2 November Approaches to the real: Pop Art, Minimalism, Land Art and Arte Povera;
Hopkins p. 131-180 ; Readings on Teams
8 November Gendered Issues: experiences of feminism and art in USA and Italy 1960-1970
Readings on Teams
15 November Postmodernism: The return of painting; Appropriation; Pictures generation
Hopkins 197-231; Readings on Teams
23 November Current Issues 1990 – 2020
Readings on Teams
Focus: Rome between Wars
24 November La Galleria Nazionale
1 December Fondazione Cerasi Palazzo Merulana
7 December Ministero degli Esteri, Collezione La Farnesina
13 December Mausoleo delle Fosse Ardeatine
Bibliography
- H. Foster, R. Krauss, Y. A. Bois, B. Buchloh, Art Since 1900, Thames and Hudson, 2010
- D. Hopkins, Art After Modern Art 1945 - 2000
- Readings posted on Teams platform