Storia Del Teatro E Dello Spettacolo A 2023/2024

The course aims to provide an analytical reconstruction of some of the main models of theatrical writing from the Renaissance to the first half of the Twentieth Century. Theatrical writing will be understood in its broad and complex meaning, which goes from the dramatic text to the stage space, from the acting of the actors to the choices of preparation   The course will be divided into two parts: the first part will be devoted to the study of Theatre History from Reinassance to the19th Century.   

BIBLIOGRAPHY

 1). E. Wilson - A. Goldfarb, Storia del teatro, Mc Graw Hill, 2010 (pp. 271-400) ; 

2). D. Diderot, Paradoxe on the Actor

3) L. Allegri, Invito a teatro. Manuale minimo dello spettatore, Laterza, Roma- Bari 2018.

4). W. Shakespeare, Hamlet - Molière, Don Juan - C. Goldoni, Trilogia della villeggiatura

The frequency, although optional, is highly recommended. For non-attending students ad hoc appointments will be offered to facilitate individual study. Students who have attended 2/3 of the lessons are considered attending students. Presence signatures will be collected     For the evaluation the communication skills, the knowledge and undestanding of the topics, and the capacity to apply  knowledge  to the analysis of the musical repertoires will be considered    

Grading criteria: from scarcely sufficient to sufficient 18-23; from sufficient to satisfactory 24-25; from satisfactory to good 26-28; from plus good to optime 30.