Programme Document Theater Lm A:

1. M. Bucciantini, Un Galileo a Milano, Torino, Einaudi, 2017 2. R. Gandolfi, Un' «istruttoria» lunga più di trent'anni. Olocausto, memoria, performance al Teatro Due di Parma, Milano, Mimesis 3. M. Rau, Realismo globale, Cue press, 2019 4. R. Ferraresi, Il re-enactment nella scena contemporanea. Milo Rau, i teatri del reale, e oltre, in “Stratagemmi”, n. 40, 2019 (in cartella teams) 5. Some essays from E. Picon- Vallin- E. Magris, Les Théâtres documentaires, Deuxième époque, 2019 6. B. Brecht, Life of Galileo, P. Weiss, L’'istruttoria; - K. Krauss, The Last Days of Mankind

 

The frequency, although optional, is highly recommended. For non-attending students ad hoc appointments will be offered to facilitate individual study. Students who have attended 2/3 of the lessons are considered attending students. Presence signatures will be collected

 

The exam will take the form of an interview on the texts adopted, the topics covered in the course, and any work produced by the student during the course. In the assessment, account will be taken of clarity of presentation and mastery of the scientific language, knowledge of the topics studied and mastery of the methods for studying and understanding the performance languages considered. Grading criteria: from scarcely sufficient to sufficient 18-23; from sufficient to satisfactory 24-25; from satisfactory to good 26-28; from good to very good 29-30; excellent 30 cum laude.